Ensemble Calliopée has been in artistic residency at the FEU since 2017 in partnership with the City of Paris, which has supported three editions of the project "États-Unis, Terre d'accueil". The residency will be renewed for the 2020-2021 season thanks to the support of the Embassy of the United States of America in France.
Founded in 1999, Ensemble Calliopée is a chamber music ensemble, varying in size from two to ten musicians. The Ensemble’s artistic director, Karine Lethiec, brings together artists of international talent who combine their skills as soloists and chamber musicians. In addition to sharing chamber music masterpieces from the classics to the contemporary, the Ensemble is committed to researching new repertoires from the past and present and invests in sharing them with all audiences. They have commissioned numerous contemporary works.
Ensemble Calliopée’s approach is above all to make music accessible to everyone by focusing on historical pieces, a curiosity for contemporary composition, and an original and broadened view of the artistic, historical or scientific context as well as contemporary questions. The Ensemble also collaborates with artists and personalities from other art forms and performs on national stages, in prestigious venues, and festivals.
In addition, Ensemble Calliopée implements artistic and educational projects within the framework of medium or long-term partnerships that it forges with institutions, teams and diverse audiences (residencies at the Museum of National Archaeology in May 2018, in Val-d’Oise since 2016, at the University of Orléans and its Le Bouillon Théâtre since 2016, at the Musée de la Grande Guerre du Pays de Meaux from 2011 to 2018, and at the Fondation des États-Unis since 2017).
In 2017, the Ensemble Calliopée and the Fondation des États-Unis decided to join forces to promote their common history, both tangible and intangible, born of exchanges between Europe and the United States, with the aim of playing for diverse audiences.
With transmission as its main focus, this artistic residency is an opportunity to explore the theme of the United States as a land that welcomed artists from Europe (and vice versa with the resident musicians). The projects are based on an intergenerational exchange between the FEU’s resident musicians, particularly the Harriet Hale Woolley scholars, and the Ensemble’s musicians, which take the form of rehearsals, concerts, outreach events and master classes. The residency was also included in the 17th edition of the Rencontres musicales de Saint-Cézaire-sur-Siagne 2018, the Ensemble’s Academy-Festival in Provence.
The musical program is created and presented by Karine Lethiec and takes varied forms, with a historical contextualization of the music in order to better understand the repertoire performed as well as the history linked to its creation, in a process of democratization of music and history.
Concerts, Performances and Master Classes
États-Unis, « Terre d’accueil » #5 – Prokofiev, Weill, Golijov, Achron
États-Unis, « Terre d’accueil » #4 – Gershwin, Herrera, Bartok
États-Unis, « Terre d’accueil » #3 – Gruenberg, Demenga, Rachmaninov, Dohnanyi
Musical performances for hospitalized patients – Dvorak, Granados, Rachmaninov, Bartok, Albeniz
In partnership with the Centre Inter-Médiathèques / CFDC / AP-HP at the European Hospital Georges Pompidou in the rooms of hospitalized patients.
Musical performance « Autour des cordes » for students – Dvorak, Dohnanyi, Bartók, Casals, Norman, Milhaud, Clarke, Europe, Stravinsky
In partnership with the Academy of Paris
Musical performance « Autour des cordes » for hospitalized patients – Dvorak, Dohnanyi, Bartók, Casals, Norman, Milhaud, Clarke, Europe, Stravinsky
In partnership with the Centre Inter-Médiathèques / CFDC / AP-HP at The Pitié-Salpêtrière Hospital and at the European Hospital Georges Pompidou.